Bach Bibliography
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Author : Lindley, Mark
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Lindley, Mark:   Early Sixteenth-Century Keyboard Temperaments. MusicaDisciplina 33 (1974), 129-151.
2. Lindley, Mark:   Fifteenth-Century Evidence for Meantone Temperament. ProceedRMA 102 (Feb 1976), 37-51.
3. Lindley, Mark:   Instructions for the clavier diversely tempered. EarlyM 5/1 (Jan 1977), 18-23.
4. Lindley, Mark:   Authentic Instruments, Authentic Playing. MTimes 118/1610 (Apr 1977), 285-288.
5. Lindley, Mark:   Bach's Harpsichord Tuning. [p]AMS_NorthernCalifornia (May 1979) A paper read at the Northern California Chapter meeting of the AMS on May 5-6, 1979 at California State University, Long Beach.
6. Lindley, Mark:   Mersenne on Keyboard Tuning. JMTheory 24/2 (1980), 167-203.
7. Lindley, Mark:   Temperaments. NewGrove(1) 18 (1980), 660-674.
8. Lindley, Mark:   Lutes, viols and temperaments. Cambridge: Cambridge Univ., 1984. vii, 134p.
9. Lindley, Mark:   Keyboard Technique and Articulation: Evidence for the Performance Practices of Bach, Handel and Scarlatti. [ce]BHSTercentenaryEssays (1985), 207-244.
10. Lindley, Mark:   Early Keyboard Fingerings - A select Bibliography. EnglishHarpsichordMag 3/8 (Apr 1985), 155-161.
11. Lindley, Mark:   Klavierstemmingen van J.S. Bach. HetOrgel 81/ 6 (1985)
12. Lindley, Mark:   J. S. Bach's Tunings. MTimes 126/1714 (Dec 1985), 721-726.
13. Lindley, Mark:   Tecnica della tastiera e articolazione: testimonianze della practica esecutiva di Scarlatti, Bach e Händel. NRivistaMItali 19/1 (Jan-Mar 1985), 20-61.
14. Lindley, Mark:   J. S. Bach's Tuning. [p]AMS_Vancouver (Nov 1985) A paper read at the AMS / CMS / SEM / SMT Vancouver Annual Meetings, 7-10 November 1985.
15. Lindley, Mark:   J. S. Bachs Klavierstimmung. [cr]Stuttgart1985 (1987), ii: 409-421.
16. Lindley, Mark:   Early fingering: some editing problems and some new readings for J.S. Bach and John Bull. EarlyM 17/1 (Feb 1989), 60-69. Erratum in EarlyM xvii/3 (1989) 479.
17. Lindley, Mark; Boxall, Maria (eds.):   Early keyboard fingerings: a comprehensive guide. compiled and edited by Mark Lindley and Maria Boxall. - Mainz ; London: Schott, 1992. xiv, 98p. ISBN: 0946535213. 7134 S & Co.
18. Bates, Robert; Lindley, Mark; Marshall, Kimberley:   The Stanford Eclectic Tunings. PerformPractReview 5/2 (Fall 1992), 159-197. The Stanford Organ: a Synthesis of Views.
19. Lindley, Mark:   Some Thoughts concerning the Effects of Tuning on Selected Musical Works (from Landini to Bach). PerformPractReview 9/1 (Spring 1996), 114-121. Tuning Systems
20. Lindley, Mark:   A quest for Bach's ideal style of organ temperament. MichaelsteinKonfBer 52 (1997), 45-67.
21. Lindley, Mark; Boone, Graeme M.:   Euphony in Dufay: Harmonic 3rds and 6ths with Explicit Sharps in the Early Songs. JbStaatInstMf 2004 (2005), 158-215.
22. Lindley, Mark; Ortgies, Ibo:   Bach-style keyboard tuning. EarlyM 34/4 (Nov 2006), 613-623.
23. Lindley, Mark:   More on temperament. EarlyM 36/4 (Nov 2008), 678. Correspondence.
24. Lindley, Mark:   Valuable nuances of tuning for part 1 of J.S. Bach's Das wohl temperirte Clavier. http://www.sim.spk-berlin.de/wtc
25. Lindley, Mark:   Bach's temperament. EarlyM 40/1 (Feb 2012), 167. Correspondence.

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