Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Lindley, Mark: Early Sixteenth-Century Keyboard Temperaments. MusicaDisciplina 33 (1974), 129-151. | |
| 2. | Lindley, Mark: Fifteenth-Century Evidence for Meantone Temperament. ProceedRMA 102 (Feb 1976), 37-51. | |
| 3. | Lindley, Mark: Instructions for the clavier diversely tempered. EarlyM 5/1 (Jan 1977), 18-23. | |
| 4. | Lindley, Mark: Authentic Instruments, Authentic Playing. MTimes 118/1610 (Apr 1977), 285-288. | |
| 5. | Lindley, Mark: Bach's Harpsichord Tuning. [p]AMS_NorthernCalifornia (May 1979) A paper read at the Northern California Chapter meeting of the AMS on May 5-6, 1979 at California State University, Long Beach. | |
| 6. | Lindley, Mark: Mersenne on Keyboard Tuning. JMTheory 24/2 (1980), 167-203. | |
| 7. | Lindley, Mark: Temperaments. NewGrove(1) 18 (1980), 660-674. | |
| 8. | Lindley, Mark: Lutes, viols and temperaments. Cambridge: Cambridge Univ., 1984. vii, 134p. | |
| 9. | Lindley, Mark: Keyboard Technique and Articulation: Evidence for the Performance Practices of Bach, Handel and Scarlatti. [ce]BHSTercentenaryEssays (1985), 207-244. | |
| 10. | Lindley, Mark: Early Keyboard Fingerings - A select Bibliography. EnglishHarpsichordMag 3/8 (Apr 1985), 155-161. | |
| 11. | Lindley, Mark: Klavierstemmingen van J.S. Bach. HetOrgel 81/ 6 (1985) | |
| 12. | Lindley, Mark: J. S. Bach's Tunings. MTimes 126/1714 (Dec 1985), 721-726. | |
| 13. | Lindley, Mark: Tecnica della tastiera e articolazione: testimonianze della practica esecutiva di Scarlatti, Bach e Händel. NRivistaMItali 19/1 (Jan-Mar 1985), 20-61. | |
| 14. | Lindley, Mark: J. S. Bach's Tuning. [p]AMS_Vancouver (Nov 1985) A paper read at the AMS / CMS / SEM / SMT Vancouver Annual Meetings, 7-10 November 1985. | |
| 15. | Lindley, Mark: J. S. Bachs Klavierstimmung. [cr]Stuttgart1985 (1987), ii: 409-421. | |
| 16. | Lindley, Mark: Early fingering: some editing problems and some new readings for J.S. Bach and John Bull. EarlyM 17/1 (Feb 1989), 60-69. Erratum in EarlyM xvii/3 (1989) 479. | |
| 17. | Lindley, Mark; Boxall, Maria (eds.): Early keyboard fingerings: a comprehensive guide. compiled and edited by Mark Lindley and Maria Boxall. - Mainz ; London: Schott, 1992. xiv, 98p. ISBN: 0946535213. 7134 S & Co. | |
| 18. | Bates, Robert; Lindley, Mark; Marshall, Kimberley: The Stanford Eclectic Tunings. PerformPractReview 5/2 (Fall 1992), 159-197. The Stanford Organ: a Synthesis of Views. | |
| 19. | Lindley, Mark: Some Thoughts concerning the Effects of Tuning on Selected Musical Works (from Landini to Bach). PerformPractReview 9/1 (Spring 1996), 114-121. Tuning Systems | |
| 20. | Lindley, Mark: A quest for Bach's ideal style of organ temperament. MichaelsteinKonfBer 52 (1997), 45-67. | |
| 21. | Lindley, Mark; Boone, Graeme M.: Euphony in Dufay: Harmonic 3rds and 6ths with Explicit Sharps in the Early Songs. JbStaatInstMf 2004 (2005), 158-215. | |
| 22. | Lindley, Mark; Ortgies, Ibo: Bach-style keyboard tuning. EarlyM 34/4 (Nov 2006), 613-623. | |
| 23. | Lindley, Mark: More on temperament. EarlyM 36/4 (Nov 2008), 678. Correspondence. | |
| 24. | Lindley, Mark: Valuable nuances of tuning for part 1 of J.S. Bach's Das wohl temperirte Clavier. http://www.sim.spk-berlin.de/wtc | |
| 25. | Lindley, Mark: Bach's temperament. EarlyM 40/1 (Feb 2012), 167. Correspondence. | |